Getting to grips with using impasto painting

Whether the artist wanted to paint expressive portraits, landscapes or abstract works, they’ve often found the texture of paint is a crucial part of the painting experience. Painters found that this effect could be utilised to show form and texture and, by the nineteenth century had developed it further into the technique now known as impasto. As the nineteenth century progressed, artists began to use this technique for it’s own sake, creating works using this method alone. (more…)

Easel options for the artist

Easels can help make the life of the pet portrait artist much more comfortable, by offering a secure support for their canvas, at just the right height and angle. All the same, there are a few of varieties to go for, each one designed to meet the particular needs of the artist whether they’re in a studio or outside.

The most versatile is the sketching easel. (more…)

Easy steps to create artists' size

Since the early Renaissance, artists producing portraits in oil (or any other subject for that matter) have traditionally started with a layer of size to seal the natural canvas or board prior to the gesso ground. It’s role is to protect the canvas from the chemicals in the paint that may cause it to decay. Today, if you use an acrylic primer, size is not always required, but it’s remains a good way of protecting the canvas and if you make your own gesso is an essential part of the preparation. (more…)

Suitable surfaces for miniature painting

Over the last few years miniature painting has gained new interest, partly down to the increased curiosity in calligraphy. Calligraphy itself is linked to book illumination, a forerunner of miniature painting techniques. Miniature painting became popular during the 17th century as a technique for producing portraits of loved ones, enabling the owner to take their likeness around with them. (more…)

Getting the best support for your painting

There are a range of materials that can be utilised as a support, but the pet portrait artist needs to deliberate the merits of the material used, so that it will provide the best longevity for their painting. Much will depend on the type of paint being used, oil and acrylic tend to be a more flexible medium so can be applied with reasonable confidence on fabrics that have been properly prepared. More brittle mediums such as tempera, gouache or pastel, require a more rigid support such as prepared boards. (more…)

Make your own pastels

As most artists and crafts people, pet portrait artists are a canny lot and, if they can save a bit of money by making their own materials, they certainly will. As with paints, pastels can be very expensive to buy and the best ones always seem to run out more quickly however, it is possible to make your own at a fraction of the price of shop bought ones. It is also possible to achieve better results, often manufactured pastels lack the intermediate greys, grey-greens and the half-tone required for rendering flesh colours. (more…)